Videography in Paramount

It scales with crew, kit and post-production. A half-day single-videographer event shoot is the entry point; a full day costs more; a scripted corporate or promo video with a crew, multi-camera setup and edited deliverable is the top of the range. Editing time is often a large, separate part of the bill.

Because it's where most of the hours go. A day of filming can take several days to edit — cutting, colour grading, sound, motion graphics and revisions. When comparing quotes, check how much edited footage you get and how many revision rounds are included, not just the shoot day rate.

Clarify this in writing. Usually the videographer licenses the final edit to you for agreed uses, and raw footage is extra or retained. If you need full ownership or broad usage rights (ads, broadcast), say so up front — it affects price and the contract.

Two rounds is the industry standard, stated in the contract. 'Unlimited revisions' sounds generous but signals weak scope and often stalls projects. Consolidate your feedback into each round rather than drip-feeding changes, which burns paid time.

In Paramount, watch full sample videos (not just showreels) in your style, confirm deliverables and revision rounds in writing, check insurance and drone certification if needed, and agree usage rights before booking. Judge editing quality as hard as camera work.

Event videographers charge roughly $150-$500/hr or $500-$2,500 a day; corporate videographers $1,000-$5,000 a day, and full crews $5,000-$15,000. Editing runs about $75-$150/hr.