Videography in New York

Clarify this in writing. Usually the videographer licenses the final edit to you for agreed uses, and raw footage is extra or retained. If you need full ownership or broad usage rights (ads, broadcast), say so up front — it affects price and the contract.

A single videographer suits interviews, small events and social content. A crew (second camera, dedicated audio, lighting) is worth it for multi-location shoots, live events you can't re-shoot, and high-production promos. Match the crew to the stakes of the footage.

Shoot time, crew size, equipment (cameras, audio, lighting, drone if used), number of edited deliverables and their length, revision rounds, music licensing, usage rights, and delivery format and timeline. A one-line day rate with no deliverable spec is a red flag.

Two rounds is the industry standard, stated in the contract. 'Unlimited revisions' sounds generous but signals weak scope and often stalls projects. Consolidate your feedback into each round rather than drip-feeding changes, which burns paid time.

Because it's where most of the hours go. A day of filming can take several days to edit — cutting, colour grading, sound, motion graphics and revisions. When comparing quotes, check how much edited footage you get and how many revision rounds are included, not just the shoot day rate.

If your video includes aerial footage, yes — commercial drone flying requires a licensed/certified operator in most countries, plus insurance and airspace permissions. Don't let someone fly a drone for paid work without the right certification; it's a legal and safety risk.

Event videographers charge roughly $150-$500/hr or $500-$2,500 a day; corporate videographers $1,000-$5,000 a day, and full crews $5,000-$15,000. Editing runs about $75-$150/hr.